Humble indie bundle cave story soundtrack
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At a slower speed, it feels much more meditative, while the higher speeds strip away any pretense of placidity and reveal the steely-eyed conquest machine within.Įufloria HD's greatest strength lies in the simplicity of its basic systems.
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Of course, enemy seedlings fight back, so the game turns into a series of tense skirmishes as you route your flocks of seedlings quickly through your network of asteroids, volleying attacks onto enemy locations while watching your back for flanking.Įufloria HD can be played at any of three speeds, which makes it easier or harder, depending on what you're in the mood for. The moment they appear, you are commanded by your more-than-a-little-fascist "Mother Tree" to exterminate all of them and take over their asteroids. Your colonial expansion is complicated by the presence of other enemy trees and seedlings. Conquer new territories, and in doing so, complete each level.
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A tree can only support so many seedlings, however, and so comes the gameplay imperative-expand, expand, expand. If you have enough seedlings around an asteroid, you can plant a Dyson tree, which serves as a base of sorts and causes more seedlings to grow. (The trees in the game are called "Dyson trees," deriving their name from the Dyson Tree, a hypothetical genetically-engineered tree that can grow on a comet.)Īt the start of each level, players have control of a certain number of seedlings, little fly-like beings that flit around and between the circular asteroids like bugs around porchlights. It's a stripped-down real-time strategy game where players control colonies of trees and seedlings, each of which is spread out among a group of tiny asteroids.
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A very fun game about life-or-death survival, as it turns out.Įufloria HD is an iPad-only port of Eufloria, an indie PC and PS3 game created by a team of three game developers-Alex May, Rudolf Kremers and Brian Graingerm.
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Oh sure, it looks to be all pastels and flowers, but beneath its groovy new-wave art-style and bloopy, soothing soundtrack lies a game about life-or-death survival.
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And as a reminder, you can download the whole soundtrack for free at Gabler's website.Įufloria HD is a brutal game. There are a bunch more, and they're all good. I would dance my ass off if this played the next time I was out dancing. I mean, what is this even? Part club-jam, part aria, part I-don't-even-know-what. Such drama! Such emotion! Again, I remind you: This is a game about goofy little balls of goop. This one deserves a spot just for variety-suddenly, out of nowhere, we've got a chippy freakout. This is like, some extreme superhero music, straight to the epic build at the end. Spinning, cycling, growing, changing, tumbling. Epic in its own way, but I love this kind of stuff. This track reminds me of nothing so much as the noble "Agent Cruller's theme" from Psychonauts. Though they're all favorites, really.īeetlejuice meets, well, Beetlejuice-you can just picture the gears spinning, the goo flying, the oddly cheery, sinister world welcoming you. Here are some of my favorite tracks from the World of Goo Soundtrack. Man, anyone who cites Danny Elfman, Vangelis and Ennio Morricone as influences is cool in my book. I grew up listening to them, and they remain a big influence in everything I write.
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Influences include Danny Elfman, Vangelis, Bernard Herrmann, Hans Zimmer, Ennio Morricone, and all the big movie guys. I have an m-audio keystation 49e midi keyboard for picking out melodies. More recently, I've been using the freeware sfz soundfont sampler. For the older music, I used one of those Sound Blaster cards that let you load samples into memory. The majority of the instruments you'll hear are computer instruments, with a few live performances on top to add a bit of warmth. He talks about the process he used to make the soundtrack: Best of all, you can download the entire thing for free at Gabler's website. What possessed Gabler and 2D Boy to imbue their silly puzzle game with such a grand soundtrack? We may never know. It combines the superheroic, soaring choral melodies of Tim Burton with all kinds of various ethnic and cinematic influences to create a musical pastiche that is at once epic, driving, hilarious and surprisingly emotional. But my favorite thing about it, hands down, is Kyle Gabler's flabbergasting soundtrack. There was some kind of narrative, but that didn't matter so much, did it? Move the goo, stack the goo, get to the ending point.